COUNTERPOINT KENNAN PDFJuly 9, 2020
Counterpoint has ratings and 6 reviews. Genni said: This is a solid introduction to 18th century counterpoint (i.e. there is no discussion of 16th ce. Counterpoint, 4th Edition. Kent Kennan, (Retired), University of Texas at Austin. © |Pearson | Available . Counterpoint, 3rd Edition. Kennan. © Cloth. Some of them, such as Kent Kennan’s Counterpoint, seem to fall on the more general side, giving looser guidance, and generally relying on a.
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Designed for courses in beginning and advanced counterpoint, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual writing of contrapuntal examples.
Also, by linking the study of counterpoint to music of a specific period, the text provides a kennna model for students to emulate and a definite basis for the criticism of student work. Analysis—based on a study of contrapuntal music of the Baroque period, with emphasis on the techniques and forms involved. Writing—first of exercises using a free species approach, then of music involving the forms or techniques studied e.
The Single Melodic Line.
Principles of Two-Voice Counterpoint. Writing of Short Two-Voice Pieces.
Counterpoint : Kent Kennan :
Writing of Short Pieces, Three Voices. Imitation in Three Voices. Forms Based counteropint the Chorale. Pearson offers special pricing when you package your text with other student resources. If you’re interested in creating a cost-saving package for your students, contact your Pearson rep. We don’t recognize your username or password.
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If You’re a Student Buy this product Additional order info. Description Designed for courses in beginning and advanced counterpoint, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing.
New to This Edition. Reorganizes key areas throughout the text.
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